Paper 195— After Pentecost — Page 2080
the material, and man, the spiritual. Poetry is an effort to escape from material realities to spiritual values.
In a high civilization, art humanizes science, while in turn it is spiritualized by true religion—insight into spiritual and eternal values. Art represents the human and time-space evaluation of reality. Religion is the divine embrace of cosmic values and connotes eternal progression in spiritual ascension and expansion. The art of time is dangerous only when it becomes blind to the spirit standards of the divine patterns which eternity reflects as the reality shadows of time. True art is the effective manipulation of the material things of life; religion is the ennobling transformation of the material facts of life, and it never ceases in its spiritual evaluation of art.
How foolish to presume that an automaton could conceive a philosophy of automatism, and how ridiculous that it should presume to form such a concept of other and fellow automatons!
Any scientific interpretation of the material universe is valueless unless it provides due recognition for the scientist. No appreciation of art is genuine unless it accords recognition to the artist. No evaluation of morals is worth while unless it includes the moralist. No recognition of philosophy is edifying if it ignores the philosopher, and religion cannot exist without the real experience of the religionist who, in and through this very experience, is seeking to find God and to know him. Likewise is the universe of universes without significance apart from the I AM, the infinite God who made it and unceasingly manages it.
Mechanists—humanists—tend to drift with the material currents. Idealists and spiritists dare to use their oars with intelligence and vigor in order to modify the apparently purely material course of the energy streams.
Science lives by the mathematics of the mind; music expresses the tempo of the emotions. Religion is the spiritual rhythm of the soul in time-space harmony with the higher and eternal melody measurements of Infinity. Religious experience is something in human life which is truly supermathematical.
In language, an alphabet represents the mechanism of materialism, while the words expressive of the meaning of a thousand thoughts, grand ideas, and noble ideals—of love and hate, of cowardice and courage—represent the performances of mind within the scope defined by both material and spiritual law, directed by the assertion of the will of personality, and limited by the inherent situational endowment.
The universe is not like the laws, mechanisms, and the uniformities which the scientist discovers, and which he comes to regard as science, but rather like the curious, thinking, choosing, creative, combining, and discriminating scientist who thus observes universe phenomena and classifies the mathematical facts inherent in the mechanistic phases of the material side of creation. Neither is the universe like the art of the artist, but rather like the striving, dreaming, aspiring, and advancing artist who seeks to transcend the world of material things in an effort to achieve a spiritual goal.
The scientist, not science, perceives the reality of an evolving and advancing universe of energy and matter. The artist, not art, demonstrates the existence of the transient morontia world intervening between material existence and spiritual liberty. The religionist, not religion, proves the existence of the spirit realities and divine values which are to be encountered in the progress of eternity.
